AliceatWork

Today is the last day to help fund the publication of The Calligraphy of Alice on Kickstarter! The campaign ends at 7am EST on Saturday, July 30. So there’s less than 24 hours left to get your hands on a copy of this groundbreaking new book at a reduced rate. Afterwards, copies will only be available through booksellers at a significantly higher price.

You can see Alice’s work and a short video on the Kickstarter page here.

We couldn’t be more excited about this upcoming publication and we’d like to celebrate Alice’s work by giving away three autographed copies of her remarkable new book!

To enter, please send a handwritten postcard with your name and address to:

Society of Scribes, Ltd.
The Calligraphy of Alice
Post Office Box 933
New York, New York 10150

All postcards must be handwritten, and must be received by August 30, 2016. (You can include a note or question for Alice; we’ll make sure she gets them!)

Please follow us on Instagram and Twitter and/or like us on Facebook.
Please help us get the word out by re-posting, re-tweeting and tagging your friends!

We will randomly choose three winners, and we’ll be happy to ship anywhere in the world. Winner(s) will be posted in early September. Books will be mailed in November/December when they are ready. Additional rules and conditions apply and can be found here.

MorganPoster

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Here’s a preview of our Fall Schedule…  All dates/classes are still subject to change until they are officially posted on our Classes/Workshops page. Current members will get 24-hour pre-registration links on or around August 19. (Some workshops may be added later.)

Introductory Classes
September 17/18 – Laura Di Piazza, Intro to Copperplate
5 Saturdays starting September 24 – Anna Pinto, Italic-I
5 Sundays starting October 9 – Elinor Holland, Copperplate-I
October 22/23 – Marcy Robinson, Copperplate Intensive
November 12/19 – Marcy Robinson, Copperplate Intensive

Workshops
September 17/18 – Patricia Buttice, Cancellaresca Corsiva (pictured above)
September 24/25 – James Farrell, Pointed Pen
September 25 – Kathy Milici, Modern Storybook Script
October 1/2 – Elinor Holland, Arabic
October 2 – Debra Dick, Brush Lettering
October 15/16 – Leslie Watkins, Watercolor Decorative Borders
October 23 – Kathy Milici, The Flourished Envelope
October 29/30 – Barry Morentz, Boxmaking
November 13 – HOLIDAY FAIR!
December 3/4 – Anthony Bloch, Drawn Letters
December 10/11 – Paul Herrera, Slate Inscription Cutting

AliceTitle

“The Calligraphy of Alice”
Kickstarter campaign: June 24 – July 30, 2016

While Alice’s work is known to scribes all over, the vast body of her graphic output remains unseen and uncollected. With your help, this first-ever compilation of Alice’s art will change that. Jerry Kelly has written an introduction and selected, with Alice’s active participation, over 150 illustrations, showing the breadth of her artistry. Donald Jackson has contributed an eloquent appreciation of his friend and colleague. And, to the delight of calligraphers, sketches and preliminary layouts will offer a rare glimpse into her working process. The book will run to over 140 pages in large format, with many color illustrations. It will be printed on archival paper, hardcover, with a sewn binding using imported cloth.

Download a pdf prospectus for the book, with more information and sample pages, here.

The Kickstarter page is live until July 30th; you can see it here.

There will be early subscriber discounts, and various premiums will be available, including original calligraphic samples by Alice, as well as deluxe limited editions with special additional material.

— Jerry Kelly

AliceBook

PaperPD

Paste Paper Play Day!
Saturday, June 18, 2016 from 12 to 4pm
SVA Annex, Room 702A
Please register here.

We had so much fun in Anna Pinto’s Paste Paper workshop last month — we’re setting up a “Play Day” to make even more papers! Hope you can join us for a fun and colorful afternoon! Newbies are very welcome, but space is limited.

More details and registration here. There’s a small fee ($5–10) to cover the cost of paste; everyone will bring their own papers, paint colors, and supplies.

PSNewark

This year marks the tenth anniversary of Paul Shaw’s lettering tours of New York’s five boroughs for the Type Directors Club, and the 20th anniversary of the Legacy of Letters tours of Italy, originally done with Garrett Boge but now with Alta Price.

During these years Paul has taken photographs of urban lettering everywhere he has traveled and has held lettering tours in places other than New York and Italy including: Atlanta, Boston (three times including Cambridge), Buffalo (twice), Chicago, Denver, Los Angeles (four times), New Haven, Philadelphia, and Portland (Oregon). And later this summer he will be hosting walks in San Francisco and Seattle.

More importantly, he is finally doing a lettering tour of nearby Newark, the largest city in New Jersey and once an economic powerhouse.

The tour takes place on Sunday, June 19 (yes, Father’s Day) from 10 am (meeting point in lower Manhattan will be disclosed nearer the time) until 2 pm. The cost is $20 for students and members of the Society of Scribes, AIGA, TDC, ATypI, SoTA, and APHA. All others the cost is $25. This lettering tour is limited to 15 people, and only a few spots remain.

Don’t miss this unique opportunity. You can sign up by emailing Paul (paulshaw@nyc.rr.com) and paying via PayPal or cash. Paul hopes to see you in “Joisey.”

ShowofHands

There’s still space available in this summer’s 35th Annual International Calligraphy Conference, to be held at Warren Wilson College near Asheville, North Carolina. We’ll have a number of SoS members in the New York contingent—join us and join the fun! More details, classes and registration here.

Typographics

Typographics: A Design Festival for People Who Use Type
June 13–23, 2016, Cooper Union, New York City

We’re happy to be one of the sponsors of Typographics, a design festival of interest to our members…

Typographics is an 11-day design festival devoted to contemp­orary typo­graphy, with talks, work­shops, and tours focusing on where typo­graphy is today and where its future may lie. It will be held at The Cooper Union in New York City.

Workshops & Tours: June 13–23
A series of workshops and tours have been scheduled with Type@Cooper before and after the conference, with options focusing on everything from hand lettering to responsive typography.

Conference: June 17–18
The highlight of Typographics is an intensive two-day conference centered on the use of type for publications, advertising, corporate identity, and user interfaces. Registration is open to the public.

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Michael Knies: The Golden Age of American Penmanship
Thursday, June 9, 2016 from 6:30 to 8:30 pm
Type Directors Club, 347 W. 36th Street
TDC members $5, non-members $22.09, students $16.82
Register online here.

Members may be interested in this lecture, sponsored by our friends at the Type Directors Club…

We know type and text more than we write by hand, and the art of beautiful everyday writing has all but disappeared. But once, penmanship was an esteemed skill, a sign of education, refinement, and good taste. For centuries, correspondence, advertising, even business transactions and records, were exquisite documents created by skilled penmen—members of a profession that has shrunk to a rarefied few. Some penmen learned their exacting craft in the newly created business school movement, while others took to the roads as itinerant writing masters. These virtuosi produced pen-flourished artworks and calligraphic alphabets used in diplomas, commemorative documents and advertisements. Michael Knies, Special Collections Librarian at the University of Scranton will discuss the history of American penmanship and present the work of master penmen from the spectacular Zaner-Bloser Penmanship Collection.

More information on TDC website.

SummerSweep

Sell, Swap, Share, Show!
Saturday, June 11, 2016 from 12 to 4pm
SVA Annex, 214 E. 21st Street, Rooms 703A
Free and open to the public. Guests are welcome!

Be sure to join us on Saturday, June 11, at our usual camping grounds: SVA Annex, 214 E. 21st Street, Room703A, for Summer Sweep! All members are invited to take a table and to sell any materials from your studio that you no longer want, but that others will find useful and desirable. Pens, markers, inks, paints, papers, books–anything. The condition and/or amount of use these items have had does not matter. At bargain basement prices no one can complain. And you will be creating valuable space in your studio to make room for all the new materials you will undoubtedly buy in the coming months.

Unsold, unclaimed merchandise will be donated to the New York Public Library, the Ronald McDonald House, and/or the students and staff at SVA.

And there will be a display of the creative envelopes you have received from your calligraphy pals around the world. Please bring a handful of them to be mounted on the walls–and don’t forget your camera!

There is no charge to take a table! But you must register here… and we’ll see you on the 11th!

(Artwork and text by Barry Morentz)

Georgia

Friday, June 3, 2016 from 6:30 to 8:00 pm
SVA Annex, 214 E. 21st Street, Room 703A
Free and open to the public. Guests are welcome. Refreshments served.

Georgia Deaver, of course, was a stunningly original, influential and fluid calligrapher who specialized in commercial lettering and illustration as her profession, for which she was known world-wide, and brought the same impossibly delicate touch and sensitive sense of line to her own artwork. This career-long retrospective was compiled by a one-time teaching partner of hers, who had access to Georgia’s own files in preparation for their classes together, and shots from the enormously generous donation of her work to the SFPL’s Harrison Collection — more than 800 pieces of roughs, sketches, and artwork — from Georgia’s family, plus shots of unique day-to-day work and play from her former roommate. The slideshow will feature work from these sources and more, and, frankly, it’ll knock you out. If you didn’t know that she was (and, in our mind, always will be) one of the world’s leading lettering artists, this will persuade you of that.

GeorgiaDeaver

(Artwork by Georgia Deaver)

Psych BrushUnc

“Georgia: Each Letter is a Person” Slide Lecture with Carl Rohrs
Friday, June 3, 2016 from 6:30 to 8:00 pm
SVA Annex, 214 E. 21st Street, Room 703A
Free and open to the public. Refreshments served. Guests are welcome.

Psychedelic Calligraphy: Written & Cut with Carl Rohrs
Saturday/Sunday, June 4 & 5, 2016
$160 members/$200 non-members
Details and registration here.

Contemporary Rustics with Carl Rohrs
Monday, June 6, 2016
$80 members/$100 non-members
Details and registration here.

We’re so excited to offer a free slide lecture — and not one, but two NEW workshops with one of our favorite instructors, Carl Rohrs! Members’ exclusive pre-registration begins May 7th. Registration will be open to the public on Monday, May 9th.

 

BHSFreeFridays

Brooklyn Historical Society, Free Fridays
Friday, May 6, from 5:00 to 9:00 pm
128 Pierrepont Street, Brooklyn
Free and open to the public.

This month’s theme is “Keep in Touch” and there will be many related activities, tours, and readings. The Society of Scribes will demo calligraphy and hand-lettering from 5 to 8pm: If you’d like to see some calligraphy in action, have your name written on a bookmark, ask questions about classes, or take a pen for a test drive, please come by!

More information here. Directions here.

DinnerMenu

Friday, April 29, 2016 from 6:30 to 8:00 pm
SVA Annex, 214 E. 21st Street, Room 703A
Free and open to the public. Guests are welcome. Refreshments served.

Pat Blair’s workshop sold out in just under two hours, but everyone is welcome to attend her free Friday night lecture.

Calligraphy can be an important element in designing any social correspondence, and Washington DC is front and center for events and protocol. Choosing the lettering and color palette are part of the many decisions to be made when creating the overall design when planning an event, as well as preparing for successful printing. We will take a look at how calligraphy shapes the look of events, and becomes a footnote to history.

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Paste Paper Party!
Saturday, May 14, 2016 from 11:00 am to 3:00 pm
SVA Annex, 214 E. 21st Street, Room 702A
Details and registration here.

Letters Mingle Souls… but first let there be paper! As early as the 16th century, a mix of paint and paste was used to decorate paper for covers and endpapers for books. Artists today adapt this technique using acrylic paints mixed with paste. Lettering and paper artists further adapt this method for creating invitations, journals, books, cards… the possibilities are indeed up to the imagination. Although it is often referred to as “finger-painting” for adults, it is so much more. Imagine your favorite quote, passage or poem, layered atop a visually textured paper providing a focal point or emphasizing text. Paste papers invoke mood and set tone, further engaging the reader’s response. They can be artsy and flourished with circular or angled brush strokes and bold color or quiet and subdued with minimal texture. You have absolute power over design, color, and texture. The beautifully formed line patterns can serve as guidelines for your calligraphy, further enhancing your text or it can have very little lines and have shapes instead. You decide. Either way, the tactile properties created by the paste provide up close and personal interaction between the artist and the paper, the paper and the text and finally the artist, the finished piece and viewer. What a way to mingle souls!

Some time ago B.C. (before calligraphy and the Society of Scribes), I took a paste paper class and enjoyed it. I stored the papers away however, not knowing what to do with them. Recently, in Anna’s Layout class, I understood the impact these papers can have! Anna’s painted papers—to quote Pablo Neruda: “ignited my soul!” Anna’s beautiful paste papers fanned the flames of which Neruda speaks. I understood how paste paper can be the first layer in the design process. They can be further enhanced by colored pencil, inks, gouache, gel pens, crayon resists, stencils and chalk pastels—or not. Anna’s Paste Paper Party is one step in the design process. It is not just finger-painting for adults, it is a playground for exploring painted paste as a layer, design, and embellishment for text. Color and texture adds tone, sets mood, provides focal point, creates rhythm and embraces text. Indeed, paste paper is a venerable tradition worth learning. You can do anything you want with this painted paper that you can do with any other kind of paper.

This is one party you don’t want to miss. We will leave this party with paper ready prepared for lettering, or for anything else you wish. Consider the colors and lines invoked by your favorite quote, poem or phrase. Have these ideas in mind as you explore paint and texture. I will be there and will bring plenty of mark making tools to share! Sign up for this party—it’ll be a lot of fun!

—Text by Ana Rodriguez; artwork by Anna Pinto

Culmone

Sunday, April 17, 2016 from 4:30 to 6:00 pm
SVA Annex, 214 E. 21st Street, Room 703A
Free and open to the public. Guests are welcome. Refreshments served.

Nancy will show a recently completed unique book entitled Ojitos Flora. She will discuss and answer questions about process, text, calligraphy, illustrations, binding and clamshell box. She will also bring along some pages from a book that she’s currently working on now.

There’s still one spot left in Nancy’s workshop, The Versatile Versal this weekend!

CDB-Envelopes

Friday, March 11, 2016 from 6:30 to 8:00 pm
SVA Annex, 214 E. 21st Street, Room 703A
Free and open to the public. Guests are welcome. Refreshments served.

Still two spots left in Carol’s popular workshop: Bone Alphabet on March 12/13.

Join us for the fun on Friday night as Carol DuBosch presents the many possibilities for using your art to make unique envelopes for your everyday mail! We all love to see our name “in lights,” and creatively addressing envelopes to friends and family is a great way to let them shine and know they are special. Carol will discuss simple techniques to make your mail a piece of art. In addition, she will show a library of resources for “Envelope Art” ideas. Carol regularly enters and wins awards in the annual Graceful Envelope Contest. She will show her layouts, sketches and copies of her many winning entries.

Top Ten Reasons for Lettering Envelopes
1. You never  have to decide what to write (name & addresses are a given).
2. Nobody will be offended by your choice of words.
3. Choosing the right paper isn’t a problem — commercial envelopes are just fine.
4. Only knowing one letter style is not a problem.
5. You have a practical place to try out new hands.
6. You can quickly get your efforts out of view — pop them in the mail.

… for 7, 8, 9, 10 and MORE join us for Carol DuBosch’s presentation of Envelope Art!

FancyCaps

Fancy & Fearless: Flourished Script Caps with Kathy Milici
Sunday, March 6, 2016
10:00 am to 4:00 pm
$80 members/$100 non-members

This workshop is not for the faint of heart! Ramp up your existing pointed pen style by learning the detailed principles and structure of successfully super-flourished script capital letters, indepth techniques and alternate stroke combinations.

First we will observe and study historic examples from English, French and Dutch writing masters, like Bickham, Van den Velde, Milns, Girault, and Ames. With exercises to loosen your hand and challenge your brain, we’ll then move to basic strokes that gradually increase in intricacy and difficulty. We’ll play with capital stem extensions, loops, ovals, intricate spirals, graceful direction changes, unusual shapes, tricky intersections and turned exits. Close attention will be paid to managing visual space. The result is super flourished, classic caps with character!

Kathy believes that anything worth flourishing is worth over-flourishing. Come build your repertoire and have FUN!

Please Note: This is a design class. Knowledge of pointed pen script lettering (Copperplate, Engrosser’s Script or Spencerian) is necessary to fully benefit from this workshop.

More details and registration here.

(artwork by Kathy Milici)

CHaanes

Wednesday, February 17, 2016 from 5:30 to 7:30 pm (Lecture at 6:30)
The National Arts Club, Marquis Gallery
15 Gramercy Park South (between Park Avenue and Irving Place)

Free and open to the public. Refreshments will be served.
Please RSVP here so we’ll know how many to expect.

Calligraphy in the Cold: My Work and Experiences as a Calligrapher
Christopher Haanes will show slides and talk about his work as a calligrapher, having worked professionally in Norway for 26 years. His work ranges from logos, book covers, type design, to diplomas, invitations and calligraphy as unique art pieces.

Still a few spots left in Christopher’s workshop on February 20-21, 2016!

Christopher Haanes is a Norwegian calligrapher, teacher and author living in Oslo. He received a diploma with merit from Roehampton Institute. A fellow of the SSI since 1989, he has taught graphic designers for more than twenty years, as well as teaching workshops worldwide.

Afterwards, we’ll hold a short general meeting and election of the new board. Here are our candidates for the 2016 Board of Governors:

V. A. Barrow (*) has loved calligraphy since attending the H.S. of Fashion Industries where she majored in Fashion Design. Her introduction to her first calligraphy hand came about when she drew a Halloween costume and mused aloud about some writing to go along with it and a classmate complied with a Gothic hand. Since then V has taken classes at Stuyvesant H.S. adult education, Botanical Gardens, SVA, private classes and of course classes through SoS. She continues to take classes as often as she can.

Ethan Cohen (*) attended his first calligraphy workshop, Italic with Elinor Holland, at SoS in August 2014. Letterforms quickly consumed his life. He is also a conservatory trained guitarist and banjo player and by day he is Director of Business & Legal Affairs at an independent record label and music publishing company.

Cynthia Dantzic (*) studied calligraphy at Yale and has been teaching at Long Island University since 1964, where she was promoted to Senior Professor. Her courses include drawing, color, painting, 2D design and calligraphy (Western and Non-Western). She has served on the board for several years as programs coordinator. Her ninth art-related book, 100 New York Calligraphers, which includes the work of a number of SoS members, is featured in Schiffer’s Spring 2015 catalog.

Brooke England (*)

Judy Kastin (*) is a freelance calligrapher who previously served on the SoS Board for eighteen years. She rejoined in 2011 as workshop chair. Judy is the co-author of the last two editions of The Speedball Textbook and Lettering Arts, and author of 100 Keys to Great Calligraphy.

Eva Kokoris (*) is a freelance calligrapher and designer with an avid interest in the lettering arts. She volunteered for special events before being elected to the board in 2007 and subsequently served as president for three years. She holds a Bachelor’s degree in Music from the Mannes College of Music and currently serves on the Board.

Adrian Morehouse (*) was introduced to East Asian brush calligraphy in college, and he continued to practice while teaching English in a rural Japanese town. He later studied graphic and typeface design at SVA. Adrian currently works in the information technology field. His first formal introduction to Western calligraphy was at an SoS workshop a few years ago, and he has been an avid participant in classes and events ever since. Adrian believes strongly in the value of writing by hand and the lettering arts. He hopes to contribute to the work of the SoS to preserve and extend these traditions.

Barry Morentz (*) is a freelance calligrapher, bookbinder, boxmaker, and instructor residing in Manhattan where he operates a studio quite appropriately in the shadow of the New York Public Library. He has been totally involved in calligraphy for more than 37 years, and served on the Board of Governors from 1979-1991, including 8 years as Workshops Chairman, and Faculty Chairman for Innovations ’86, the SoS sponsored Conference in Hoboken. He has taught workshops throughout the US, Canada, Japan, Hong Kong, and Singapore, and is directing much of his attention now to the future of calligraphy and its great legacy in Western culture.

Chi Nguyen (*) freelances and teaches calligraphy/rubber stamping for the UFT Retiree Program and privately. She’s been an avid SoS workshop-taker and has served on the board since 1998 doing membership and various other things.

Anna Pinto (*) is a freelance calligrapher and calligraphy instructor living in Hoboken, NJ. She first served on the Board in the 80s and 90s. She also edited the Newsletter then, and came back for another 5-year stint, mainly so she could revive the April Fool’s insert. She is grateful for the many friends and calligraphic opportunities that have come her way over the years thanks to the Society of Scribes.

Nancy Redgate Favorito (*) has been serving the board of the SoS as recording secretary since 2009. She has taken many classes and workshops over the past several years. While primarily focused on pointed pen, she is slowly expanding her skill set and is thankful for the Society of Scribes for providing opportunities to do so.

Ana Rodriguez (*) first discovered Italic via a Ken Brown calligraphy kit many years ago. Until recently, she had not received formal instruction and is grateful for having found SoS and their skilled and talented pool of instructors, affordable classes and calligraphic opportunities. Drawn to the lettering arts and aspiring to develop a strong lettering form and expand her skill-set, she will continue taking classes and work with the SoS to promote the study, teaching and practice of calligraphy.

Susan Steele’s (*) search for instruction in the art of “beautiful writing” led her to the SoS. She has been working as a calligrapher for many years and had a previous 15-year career in graphic design. SoS has provided her with a constant source of inspiration and local contacts within the calligraphy field.

Chavelli Tsui (*)

(*) Denotes returning board members.

We look forward to serving in the next year, and want to remind everyone that help is always needed! If you’d like to join us, or attend one of our bi-monthly board meetings, please contact us at info@societyofscribes.org

(photo by James Moore)

DNadel-Doves

Deborah Nadel, Calligraphic Illustration
February 6 – 26, 2016
Syosset Public Library Art Gallery
225 South Oyster Bay Road, Syosset, New York 11791

About Deborah… beautiful lettering and calligraphy, luxurious paper and printing…

Longtime SoS member Deborah Nadel is a graduate of Pratt Institute in New York and a former art director for various design groups. She has more than 20 years’ experience as a designer and lettering artist. Her company Deborah Nadel Design is a full service design studio specializing in custom invitations in New York and Long Island, calligraphy for weddings and special events, and fine hand lettering.

Her work has been recognized by Brides, Brides Receptions, Modern Bride and Martha Stewart Weddings. Her past clients have included Tiffany & Co. and Crabtree & Evelyn.

In 2009, Deborah was chosen by Tiffany & Co. to create lettering for the Tiffany Notes jewelry collection. The words “I love you” and “Tiffany & Co.” in Deborah’s elegant script adorn rings, charms and lockets.

Free and open to the public.
For directions, hours, and contact: www.syossetlibrary.org

(If you’re interested in taking the train to Syosset on 2/6 or 2/13, please email us @ info@societyofscribes.org. If there’s enough interest, we can try to arrange a field trip!)

Memoire

A la Mémoire des Enfants Déportés
January 27 – May 15, 2016
The Holocaust Memorial Center
28123 Orchard Lake Road, Farmington Hills, Michigan 48334
www.holocaustcenter.org

SoS instructor Eleanor Winters’ delicate yet powerful calligraphic artworks evoke the memory of the 11,400 French Jewish children who were deported—and the vast majority murdered—between 1942 and 1944 through the complicity of the Vichy Government. Inspired by the plaques erected throughout Paris, the poetic phrasing of the exhibit reflects an almost tangible sorrow and shame through which the artist’s message shines: Ne les oublions jamais (We must never forget them).

Gallery and more about the artwork here. Download exhibition evite here.

Watch Detroit Fox 2 television segment about Eleanor’s show here.