Classes & Workshops

** Our classes are necessarily small and often sell out quickly. If a class is filled to capacity, please sign our Waiting List: we will try to accommodate everyone — and if possible, we may add another session. To receive an email when new seasons are posted, sign up for our Newsletter. Please read our Registration Policy at the bottom of this page. **

Classes

Italic I — (Eleanor Winters) 5 Saturdays: February 22, 29; March 7, 14 & 21, 2020
Copperplate I — (Elinor Holland) 4 Sundays: March 1, 8, 15 & 29, 2020
Introduction to Copperplate — (Laura Di Piazza) Saturday/Sunday: May 30 & 31, 2020

Workshops

Polish Your Penmanship — (Kathy Milici) Sunday, March 29, 2020
Fraktur — (Ethan Cohen) Saturday/Sunday, June 13 & 14, 2020

Italic I

Eleanor Winters

5 Saturdays: February 22, 29; March 7, 14 & 21, 2020
9:30 am - 3:30 pm
$325 members and non-members
Level of difficulty: Beginner or more experienced calligraphers who want a detailed review of the basics
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues) Room 702A
Italic, or Chancery Cursive, is the handwriting of the scribes of the Renaissance, and remains an ever-popular introduction to calligraphy.  In this beginner class, students will learn this elegant, graceful alphabet, following a step-by-step approach covering basic strokes, minuscules (lower-case letters), capitals, numbers, and spacing.  Italic is a modern, legible alphabet, frequently used for invitations, envelopes, place cards, and other commercial calligraphy, as well as for calligraphic art, such as poetry and prose pieces.

Taking Italic I and Italic II with Eleanor will give you a very good foundation for all broad-pen hands; if you enroll in both classes this spring, we will refund $25 of your Italic II fee.
Materials List
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Higgins Eternal ink, Brause 3mm and 2mm nibs, penholder, 11" x 14" pad of layout paper (such as Canson Pro-Marker Layout or Bienfang Graphics 360 or Borden and Riley 100% Cotton Comp), water container and cloth or paper towels, masking tape.

Note: Left-handed students should either get Brause Left-Handed 3mm and 2mm nibs or Speedball Left-Handed C-1 and C-2. Left-Handed Brause nibs will need to be ordered by mail.

Instructor

Eleanor Winters is the author of Italic and Copperplate Calligraphy: the Basics and Beyond (Dover Publishing, 2011),1-2-3 Calligraphy! (Sterling Publishing, 2006), Calligraphy for Kids (Sterling, 2004), Mastering Copperplate Calligraphy (Dover, 3rd Edition, 2000), Calligraphy in 10 Easy Lessons (Dover, 2nd Edition, 2002), Professor of Art, Long Island University (1992-2010), Director of the Calligraphy Workshop, New School University (1985-1998), Workshops & Lectures in US, Europe, Asia, Exhibitions in Museums and Galleries, US and Europe, Master of Arts, New York University.

Copperplate I

Elinor Holland

4 Sundays: March 1, 8, 15 & 29, 2020
10:00 am - 4:00 pm
$290 members and non-members
Level of difficulty: Beginner and all levels
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues) Room 702A
Copperplate is an elegant hand developed during the age of the great writing masters. This script is used extensively for invitations and formal events. We will introduce the use of the flexible pointed nib and learn the basic letter forms for minuscules and majuscules with emphasis on learning to see the underlying basic forms of this hand.

Note: This class runs 5.5-hours each Sunday with a half hour for lunch.
Materials List
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Calligraphy supplies can be difficult to find...
John Neal has created an "Elinor Holland" package with all supplies on one page, here:
http://www.johnnealbooks.com/prod_detail_list/880

Higgins Eternal Ink,
Pad of Canson Marker Layout paper (size 9x12),
Dinky Dip,
Oblique (elbow) Penholder for right-handed students,
Straight Penholder for left-handed students,
Nibs: Nikko G, Gillot 303, 404, or Hunt 22
Pencil,
Drafting tape.

Materials fee: $1 to $10 (payable to instructor) for purchase of additional nibs

Instructor

Elinor Holland works in both Latin and Arabic scripts. She teaches hands-on workshops in both types of script as well as lectures on Islamic Calligraphy. Her calligraphic work scans the range from invitation design to fine art commissions. She continually works toward refinement in her work through study and practice. Clients include Smithsonian Institute, Metropolitan Museum of Art, New York Public Library and the Linearis Institute.

Introduction to Copperplate

Laura Di Piazza

Saturday/Sunday: May 30 & 31, 2020
10:00 am - 4:00 pm
$160 members and non-members
Level of difficulty: Beginner and all levels
Location: SVA Annex, 214 E. 21st Steet (between 2nd/3rd Avenues) Room 702A
We're working on making a remote online version of this class; please stay tuned for more info...

In this intensive weekend calligraphy workshop we will examine and practice letterforms in the Copperplate hand, a pointed-pen script that was developed in 16th century England. We will work with an oblique pen holder, pointed pen nib, ink, and guidelines. Our main focus will be on practicing varying amounts of pressure to apply to our pens to produce thick (shaded) and thin (hairline) strokes, letter slant and letter form. We will begin our practice with minuscule and later majuscule letters, which will be grouped according to similar letterforms. Feel free to bring in your favorite quote and/or project ideas for practice and discussion.

See a video of Laura's Copperplate lettering here.
Materials List
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• Oblique pen holder (suggested: Speedball or better)
• Nikko G nib or Zebra G nib
• Black ink (suggested: small 2 oz. bottle of sumi ink)
• Dinky dip and pipette or 1/2 oz. or 1 oz. ink jar (glass or plastic)
• Small 4-6 oz. plastic or glass water container to clean your pen nibs (yogurt cups work)
• 4 sheets of paper towels or rag to clean your pen nibs
• T-square, 12" (John Neal sells a c-thru one for $2.50)
• Marker Layout Paper (semi-transparent) 9" x 12"
• Pencil
• Black ballpoint or rollerball pen

Instructor

Laura Di Piazza (b. 1972, Brooklyn, New York) holds a MFA degree in Interdisciplinary Arts from Goddard College in Plainfield, Vermont. Laura teaches calligraphy workshops at Dartmouth College, AVA Gallery and Art center and MAKE! Skilled Hands. She has exhibited artwork in Austria, Canada, Germany and the USA. www.lauradipiazza.com

Polish Your Penmanship

Kathy Milici

Sunday, March 29, 2020
10:00 am to 4:00 pm
$90 members/$110 non-members
Level of difficulty: Beginner and all levels
Location: SVA Annex, 214 E. 21st Street, Room 703A
This workshop is now being offered as a correspondence class.

Do you love to write, but wish your handwriting looked better? Do you long to send more handwritten notes?  Do you love making fancy, swirly letters and doodling? This is the perfect class for you!

You’ll first be led through a full review of proper cursive script letterforms and their structure, according to the gold standard of the Zaner Bloser method: lower case letters, upper case letters, numbers and punctuation. We will also explore proper line placement, size, slant, and the proportion of letters as we write. Connecting letters for ideal spacing is also an important detail. We will practice it ALL!

Kathy will also show you how to successfully add some flourishy details and doodles to help you create your own style!

Please note: This is not a calligraphy class; no ‘dip pen’ is used. This class focuses on cursive writing forms, and is open to tweens, teens and adults. Bring a pen friend!
Materials List
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All you need are pens and lined paper! Recommendations:
PENS:
Kakuno Fountain Pen, your choice of nib size and ink color
Pilot Varsity Disposable Fountain Pens (colors set)
Pentel Energel Roller ball pens, .07 OR .05 size (colors set)
AND
Uniball Signo Rollerball White Pen (broad .38mm or fine)
OR Sakura Gelly Roll White Gel Pen
PAPER:
Your favorite lined notebook (8 ½ x 11, smooth paper)
Rhodia lined stapled notebook (large)
Pacon black lined filler notebook paper

Instructor

Kathy Milici is a nationally known calligrapher, designer, instructor and mentor. She happily admits to being obsessed with letters since early childhood. Owner of Kathy Milici Creative in Newton, New Jersey, her work has been seen in national magazines and on television. A very popular instructor at the IAMPETH calligraphy conferences (her workshops sell out!), Kathy travels the country, lecturing and teaching calligraphy and the related arts. The originator of Gratitude Script, a modern typeface, she also mentors fellow artists and art students in how to create a living and maintain a viable business as a working artist. After almost 40 years as a professional calligrapher and teacher, Kathy is still enjoying her lifelong passion for “everything calligraphy.” See more at kathymilicicreative.com.

Fraktur

Ethan Cohen

Saturday/Sunday, June 13 & 14, 2020
10:00 am - 4:00 pm
$160 members/$200 non-members
Level of difficulty: All are welcome :)
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues) Room 703A
Fraktur is an eclectic genre of blackletter forms that was used widely both in calligraphy and in type beginning in the 16th century. It remained prevalent in German-speaking countries until 1941, when it was phased out by the Third Reich. Like all blackletter hands Fraktur is characterized by a bold and dense texture, though it is more decorative and less rigid than its close relative, Textura. In this workshop we will learn a basic fraktur alphabet, focusing on spacing, rhythm, and texture. We will then explore how these expressive fraktur forms lend themselves to modification and personalization.
Materials List
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* Higgins Eternal ink or Walnut ink
* Straight penholder
* Two nibs: one Speedball C-0 and one Speedball C-1
* 9” x 12” or 11"x 14" Borden & Riley #37 Boris Marker Layout pad, or Canson Marker Layout pad
* Masking tape
* Paper towel or rag

Instructor

Ethan Cohen is a type designer and calligrapher born and raised in New York City, currently living in Berlin and working as a type designer at LucasFonts. Before moving to Berlin, Ethan received a masters degree in type design from the Royal Academy of Art in The Hague (KABK), worked at Mucca Design, studied type design at The Cooper Union’s Type@Cooper Extended Program, and served on the Board of Governors of Society of Scribes, where he co-founded the Society of Scribes scholarship program. Ethan likes cats, letters, music (he plays guitar and 5-string banjo), coffee, board games, and coding (in that order), and nothing else. ethancohenstudio.com