Classes & Workshops

** Our classes are necessarily small and often sell out quickly. If a class is filled to capacity, please sign our Waiting List: we will try to accommodate everyone — and if possible, we may add another session. To receive an email when new seasons are posted, sign up for our Newsletter. Please read our Registration Policy at the bottom of this page. **

Classes

Copperplate I - Intensive — (Marcy Robinson) Saturday/Sunday: February 9 & 10, 2019
Italic I — (Eleanor Winters) 5 Saturdays: February 23; March 2, 9, 16 & 23, 2019
Copperplate I — (Elinor Holland) 4 Sundays: March 24, 31; April 7 & 14, 2019
Foundational — (Eleanor Winters) 2 Saturdays: April 6 & 13, 2019

Copperplate I - Intensive

Marcy Robinson

Saturday/Sunday: February 9 & 10, 2019
10:00 am - 4:00 pm
$160 members and non-members
Level of difficulty: Beginner and all levels
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues), Room 702A
This elegant and graceful script is written with a pointed pen by means of a pressure and release movement. Today this hand is used mostly for invitations, envelopes, and place cards. The upper and lower case alphabet will be introduced and analyzed with an emphasis on basic forms. All levels of experience are welcome.

This is an intensive 2-day course, with an even smaller class-size than our usually-small introductory classes. Students will be given much individual attention.
Materials List
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* Brause EF 66 or similar nib such as Gillot 303, 404, Hunt 22, etc.
* Oblique pen holder (or straight holder for lefties)
* Black ink (non-waterproof, sumi ink in green bottle)
* Bond paper (Borden & Riley Cotton Comp, slight tooth to paper, 9" by 12")
* Dinky dip or empty bottle cap (an inch in depth)
* ruler
* pencil and pad for note taking

Instructor

Marcy Robinson is an award-winning lettering artist residing in New Jersey. She has studied with Julian and Sheila Waters and has taken workshops with many other calligraphic artists. Her work may be seen in Brides Magazine, the Calligraphy Engagement Calendars, Letter Arts Review and other calligraphic publications. Marcy was on the faculty of several calligraphy conferences. In addition, two pieces of her work were purchased by the Richard Harrison Collection of the San Francisco Library. She was one of 12 lettering artists featured in the "Alphabet" - the Journal of the Friends of Calligraphy, Spring 2011 issue. She also did the logo for "Alphabet."

Italic I

Eleanor Winters

5 Saturdays: February 23; March 2, 9, 16 & 23, 2019
9:30 am - 3:30 pm
$325 members and non-members
Level of difficulty: Beginner or more experienced calligraphers who want a detailed review of the basics
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues) Room 702A
Italic, or Chancery Cursive, is the handwriting of the scribes of the Renaissance, and remains an ever-popular introduction to calligraphy.  In this beginner class, students will learn this elegant, graceful alphabet, following a step-by-step approach covering basic strokes, minuscules (lower-case letters), capitals, numbers, and spacing.  Italic is a modern, legible alphabet, frequently used for invitations, envelopes, place cards, and other commercial calligraphy, as well as for calligraphic art, such as poetry and prose pieces.

Taking Italic I and Foundational with Eleanor will give you a very good foundation for all broad-pen hands; if you enroll in both classes this spring, we will refund $40 of your Foundational fee.
Materials List
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Higgins Eternal ink, Brause 3mm and 2mm nibs, penholder, 11" x 14" pad of layout paper (such as Canson Pro-Marker Layout or Bienfang Graphics 360 or Borden and Riley 100% Cotton Comp), water container and cloth or paper towels, masking tape.

Note: Left-handed students should either get Brause Left-Handed 3mm and 2mm nibs or Speedball Left-Handed C-1 and C-2. Left-Handed Brause nibs will need to be ordered by mail.

Instructor

Eleanor Winters is the author of Italic and Copperplate Calligraphy: the Basics and Beyond (Dover Publishing, 2011),1-2-3 Calligraphy! (Sterling Publishing, 2006), Calligraphy for Kids (Sterling, 2004), Mastering Copperplate Calligraphy (Dover, 3rd Edition, 2000), Calligraphy in 10 Easy Lessons (Dover, 2nd Edition, 2002), Professor of Art, Long Island University (1992-2010), Director of the Calligraphy Workshop, New School University (1985-1998), Workshops & Lectures in US, Europe, Asia, Exhibitions in Museums and Galleries, US and Europe, Master of Arts, New York University.

Copperplate I

Elinor Holland

4 Sundays: March 24, 31; April 7 & 14, 2019
10:00 am - 4:00 pm
$290 members and non-members
Level of difficulty: Beginner and all levels
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues) Room 702A
Copperplate is an elegant hand developed during the age of the great writing masters. This script is used extensively for invitations and formal events. We will introduce the use of the flexible pointed nib and learn the basic letter forms for minuscules and majuscules with emphasis on learning to see the underlying basic forms of this hand.

Note: This class runs 5.5-hours each Sunday with a half hour for lunch.
Materials List
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Calligraphy supplies can be difficult to find...
John Neal has created an "Elinor Holland" package with all supplies on one page, here:
http://www.johnnealbooks.com/prod_detail_list/880

Higgins Eternal Ink,
Pad of Canson Marker Layout paper (size 9x12),
Dinky Dip,
Oblique (elbow) Penholder for right-handed students,
Straight Penholder for left-handed students,
Nibs: Nikko G, Gillot 303, 404, or Hunt 22
Pencil,
Drafting tape.

Materials fee: $1 to $10 (payable to instructor) for purchase of additional nibs

Instructor

Elinor Holland works in both Latin and Arabic scripts. She teaches hands-on workshops in both types of script as well as lectures on Islamic Calligraphy. Her calligraphic work scans the range from invitation design to fine art commissions. She continually works toward refinement in her work through study and practice. Clients include Smithsonian Institute, Metropolitan Museum of Art, New York Public Library and the Linearis Institute.

Foundational

Eleanor Winters

2 Saturdays: April 6 & 13, 2019
9:30 am - 3:30 pm
$140 members and non-members
Level of difficulty: Advanced Beginner
Location: SVA Annex, 214 E. 21st Street (between 2nd/3rd Avenues) Room 702A
The Foundational hand was developed by Edward Johnston in the early twentieth century as a beginner’s alphabet, the foundation (basis) of a calligraphic education. Based on tenth century English Carolingian, Foundational has evolved in usage from a student script to an elegant, legible hand, suitable for both small manuscript calligraphy and large, bold writing for signs and posters. This workshop will present the anatomical structure of the Foundational hand in a step-by-step method. Recommended for students with some familiarity with the broad-edged pen, as well as more experienced calligraphers.

Taking Italic I and Foundational with Eleanor will give you a very good foundation for all broad-pen hands; if you enroll in both classes this spring, we will refund $40 of your Foundational fee.
Materials List
(more...)

• Higgins Eternal or other non-waterproof ink
• Brause 2mm, 3mm and 4mm nibs (if you are left-handed, please bring left-handed nibs, either Brause 2,3, and 4mm or Speedball C-0, C-1, C-2)
• Penholder
• 11" x 14" layout pad -- either Canson Pro-Marker or Borden and Riley Cotton Comp
• Water container and cloth or paper towels
• Ruler, Pencil (hard, such as H or 2H), Eraser
• Fine-point black marker
• Masking tape

Instructor

Eleanor Winters Author of Italic and Copperplate Calligraphy: the Basics and Beyond (Dover Publishing, 2011),1-2-3 Calligraphy! (Sterling Publishing, 2006), Calligraphy for Kids (Sterling, 2004), Mastering Copperplate Calligraphy (Dover, 3rd Edition, 2000), Calligraphy in 10 Easy Lessons (Dover, 2nd Edition, 2002), Professor of Art, Long Island University (1992-2010), Director of the Calligraphy Workshop, New School University (1985-1998), Workshops & Lectures in US, Europe, Asia, Exhibitions in Museums and Galleries, US and Europe, Master of Arts, New York University.